Walt Disney himself is "brought to life," leaving spectators astonished.

To place the viewer at the center of the action, the French media company CANAL+ deployed multiple cameras to catch the raw speed of the French Grand Prix.

Fluid power components help the wicked witch levitate at the end of Act 1.

Using Kodak film and Panavision lenses, director Gareth Edwards sought to capture the magic of Spielberg's original vision.

Special lighting with various accessories and optimized controls are used by one creative boutique to light multiple scenes easily and effectively.

Space flight is challenging enough without having to worry about the operational limitations of the components used in the devices going to space.